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好景当前
迈尔斯·特勒,谢琳·伍德蕾,布丽·拉尔森,玛丽·伊丽莎白·温斯特德,詹妮弗·杰森·李,凯尔·钱德勒新大头儿子和小头爸爸之秘密计划
刘纯燕,董浩,鞠萍,耿晨晨,陈苏,霍小雷古畑任三郎 消失的名侦探
田村正和,西村雅彦,小林隆,白井晃,伊藤俊人不实梦境
Aimee Auclair,Rebecca Bujko,Debra De Liso,Leigh Grace,Marek Graham,Michael Gregory,John F. Henry II,Erica Jenkins,Josh LaCount,Tim McCord,Shaun Ritter,Tom Simmons,Derek Thompson麻疯怪拳
刘家勇,惠英红,汤锦棠,王清河麦卡托·骑士
水泽林太郎,须贺健太,恒松祐里,新木宏典,弓木奈於影视排行
东京快递
草彅刚,饭岛直子,加山雄三,京野琴美,矢部浩之拜泡沫经济时代所赐，为某意大利高级服饰品牌担任推广任务的清水尚实（饭岛直子 饰）一度过上了挥金如土、养尊处优的奢华生活。谁知总公司破产的事实让她一夜之间从天上跌到人间，高级公寓被收、男友跑路、债主盈门，惶恐不安的第一个念头选择逃跑，谁知却不慎和自行车快递员横田重一（矢部浩之 饰）相撞，导致对方骨折。病床上的横田无法工作，而尚实也无法支付医疗费，万般无奈之下她只得硬着头皮替对方担当起自行车快递员的工作。在这个挥洒汗水、出卖力气的未知领域，尚实遇到了横田的同事铃木宏法（草剪刚 饰），水火不相容的二人展开了别别扭扭的相处。 而随着时间的流逝，尚实似乎又在自行车快递的过程中体会到前所未有的人生意义……
阿罗哈
布莱德利·库珀,艾玛·斯通,瑞秋·麦克亚当斯,比尔·默瑞,约翰·卡拉辛斯基,丹尼·麦克布莱德,亚历克·鲍德温,比尔·坎普,杰登·马泰尔,丹妮尔·罗丝·拉塞尔,迈克尔·切鲁斯,艾迪·盖瑟吉,伊丽莎白·玛维尔,伊万娜·米利塞维奇布莱恩（布莱德利·库珀 Bradley Cooper 饰）是一名军火承包商，年纪轻轻的他便在行业内闯出了一片属于自己的天地，攀登上了事业的最高峰。某日，他被上司派往夏威夷火奴鲁鲁军事基地，那里正在进行一项间谍卫星的开发和研制，需要布莱恩的监督，布莱恩兴致勃勃的踏上了旅途。 让布莱恩没有想到的是，在目的地，等待着他要和他一同共事，是一位名叫艾莉森（艾玛·斯通 Emma Stone 饰）的女飞行员，艾莉森冷若冰霜而又不苟言笑，着实是一个严肃而又无趣的女人，这令布莱恩感到十分郁闷，与此同时，布莱恩对前女友崔西（瑞秋·麦克亚当斯 Rachel McAdams 饰）依然抱有着不切实际的幻想，他联系到了崔西，企图和她破镜重圆。
嗨，妈妈！
罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
裂口女
佐藤江梨子,加藤晴彦,水野美纪,川合千春20世纪70年代，在日本中小学生中间流传着这样一个恐怖的传说：放学独自走到公园附近时，会遇到一个带着白色口罩、穿红色风衣的女人。遇到路过者，她会摘下口罩，露出裂到耳朵的恐怖大嘴，问对方“我漂亮吗？”如回答不漂亮，她会将对方毁容；若回答漂亮，她就将对方变得和自己一样；如果逃跑，她会以极快的速度追上。这个女人的名字就叫：裂口女。 各学校一时间人心惶惶，男女学生们都怕碰到这个可怕的女人，而大人们却对这个谣言嗤之以鼻。但随着一场不详的地震发生，裂口女终于到来……